S4.8: Candace Ming: Immediate Access, Weird Collectors, and the Necessity of Personal Time

As usual these days, I’m behind. I keep feeling like I’m going to catch up with myself and the podcast and maybe I will but it seems like life and this horrible pandemic and Other Stuff keep coming up.

But I want to reiterate that this podcast is still important to me and I am still extremely dedicated to it, even in the middle of whatever chaos is happening.
As usual, thank you for your patience and continued listening. I believe in you, these guests, and every conversation and issue that we discuss. It’s just that whole…life thing, amirite?

THAT SAID, I want to bring you an incredible conversation with an invaluable member of our archiving and preservation community, Candace Ming. When I first met them, I was so excited! To me, just hearing the name “Candace Ming” attached was legendary- they had always felt like superstar-tier. And then I got to hang out with them at an AMIA conference and it was so cool! I just felt like a million bucks!

Recording this was an absolute blast. And I really hope that you enjoy it and get as much out of it as I did. Candace is authentically one of the best humans with some GREAT things to say.

Two quick things:
-this was recorded before the elections so some of the conversation is a *wee* bit dated. This is what happens when life (my life) gets in the way of my podcast and a brilliant conversation. Again- apologies all around.
– please note that I used the pronouns “her/she” in the introduction and beginning of the show. These are not Candace’s preferred pronouns. The correct ones are they/them and those should be used going forward.

And now…Please enjoy the amazing Candace Ming on Archivist’s Alley! As usual, bio and copious links are below the podcast!

Candace Ming is the Media Conservation and Digitization Specialist at the Smithsonian’s National Museum of African American History and Culture.  They are a graduate of NYU’s Moving Image Archiving and Preservation program. They have a wealth of experience as an archivist (Carnegie Hall Archives, Alaska Film Archives, Missouri History Museum) and as a film projectionist (Landmark Theaters in their native St. Louis). They are the former Project Manager/Archivist of the South Side Home Movie Project where they were responsible for digitizing and preserving all home movies donated to the SSHMP and also conducted community outreach. They are on the Board of Directors for the Center for Home Movies and the Association of Moving Image Archivists. they also serve as Secretary for the International Association of Audiovisual Archives Diversity, Equity & Inclusion Committee.

LINKS! CHECK ‘EM OUT!!!


https://sova.si.edu/record/NMAAHC.SC.0001?s=0&n=10&t=C&q=great+migration&i=0


https://nmaahc.si.edu/explore/initiatives/great-migration-home-movie-projecthttps://www.centerforhomemovies.org/


https://sshmp.uchicago.edu/https://sshmpportal.uchicago.edu/

S4.3: Stephany Kim: Filmmakers of Color, Daily Activism and Pushing Boundaries to Work For a Better Future

I could fill this page and 50 more with words of praise for Stephany Kim.

I miss our lunches at Musso & Frank’s. I miss our laughs and inside baseball talks about archiving, Hollywood and Korean culture.
I never thought she would come on the podcast but finally it happened and more importantly, she came on to discuss the current situation in the US with the protests and #BlackLivesMatter and systemic oppression.
This episode is a little longer than normal (please forgive us) but I think you’ll agree that we had a lot of ground to cover.

I also want to point out that since the time of our recording, three more Black men have been lynched. 5 Black men hung from trees in just a little over a week. The police want to call them suicides.
No Black person looks at a tree and thinks: yeah, that’s how I’m gonna off myself. Just like how all the white folks used to kill my ancestors way back when.
NOT A SINGLE BLACK PERSON IN EVER.
While people protest for BLM, there are calculated publicly visible murders being carried out. Yeah.

And less and less white people are paying attention to the people who are protesting because they have the added distraction of having the US opening up again for business which (inevitably) will only lead to a lot more COVID cases.

That said…Stephany and I had an amazing conversation about what education had missed in the way of POC in film, our varied local experiences of the recent BLM protests, Karen Eruptions and what the archives world is(n’t) doing.
Check it out!
And don’t miss the bio below as well as the mad amounts of links!

Stephany Kim is a Coordinator, Restoration and Preservation at The Walt Disney Studios. She received a BA in Film Studies from Smith College and a MA in English (Media Preservation) from the University of Rochester. Her film-related interests are in the history of silent film intertitles and modern day approaches to intertitle recreation, preservation of home movies and family histories of people of color in the United States, and the celebrity image and its relation to parasocial interactions during the silent film era.

Her free time is usually dedicated to Polaroid portraitures, staring at pie designs (one of her favorite Instagram accounts is @crumbcrush), and daydreaming about fluffy animals and carne asada tacos. She is overly invested in THE GREAT BRITISH BAKE OFF even though she doesn’t bake.
Stephany was born and raised in the San Fernando Valley and is unapologetic for her Valley Girl accent and usage of Valspeak.

Links and references from the ‘cast

The racist history of tipping: https://afropunk.com/2018/04/the-racist-history-of-tipping/

Black crime fiction writers

Chester Himes: https://hub.jhu.edu/magazine/2017/fall/chester-himes-lonely-crusader-african-american-fiction-writer/

Walter Mosley: http://www.waltermosley.com/

Iceberg Slim: https://www.nytimes.com/2015/08/05/books/review-street-poison-the-biography-of-iceberg-slim-studies-the-life-of-a-pimp.html

Barbara Neely: https://www.npr.org/2020/03/11/814603243/remembering-barbara-neely-a-pioneer-in-crime-fiction

Here’s a full list of Black-owned bookstores to support right now:

HTTPS://WWW.TOWNANDCOUNTRYMAG.COM/LEISURE/ARTS-AND-CULTURE/G32782756/BLACK-OWNED-BOOKSTORES/

Some ways you can show up for Black Trans Folks: http://www.tgijp.org/from-words-to-action-showing-up-for-black-trans-women.html

A collection of Black-led Queer and Trans orgs to support: https://www.bustle.com/p/32-black-led-queer-trans-organizations-to-support-22959025


And finally…for those wondering about James Wong Howe…
there actually are a few books about him! Check ’em out here:

James Wong Howe, Cinematographer
by Todd Rainsberger

James Wong Howe The Camera Eye: A Career Interview
by Alain Silver

Episode 2: Jarrett Drake, Respectability Boxes & Archiving Accountability

Thanks for coming back to Episode 2 of Archivist’s Alley!

Got great responses to our first episode with Siobhan over at MARMIA. That was such a fun time. I have to say- I have the best unpaid job on this podcast- spending a little time with, hands down, the most exquisite human beings working in this field. I am so glad I am getting to introduce them to all of you listening. I am continuing to record episodes as I go and prepare more and more. SO MANY EXCITING GUESTS COMING UP!!

This week is Valentine’s Day so our guest is a friend and colleague whose work and ideas I feel INCREDIBLY PASSIONATE  about and I hope that you do too. I get a little excited in here. I use some adulty language of the 4-letter variety, so be aware. But I’m about to use some of that now too so, to hell with it. We’re all grown ups.

Mr. Jarrett Drake is one badass mofo.

But he’s also one of the most incredibly qualified and mindblowingly REAL motherfuckers I know.

I don’t know anyone like him. Sometimes I wish I did because we could really use more Jarretts in the world but other times…His words and power are so great that he’s like the Highlander: there can be only one.

I suggest that you follow him on twitter: @jmddrake. His threads on labor, archives, the experiences of POC in archival and academic environs are GOLDEN. He also deconstructs football politics in a way that even people who aren’t football-ish (like me) can find illuminating.

His Medium page, medium.com/@jmddrake, is SO. DAMN. GOOD.

For our podcast discussion, I recommend you read these pieces, as we mention them:

https://medium.com/on-archivy/im-leaving-the-archival-profession-it-s-better-this-way-ed631c6d72fe

https://medium.com/on-archivy/archivists-without-archives-a-labor-day-reflection-e120038848e

Jarrett’s own bio is as follows:

Jarrett M. Drake is a PhD student in Social Anthropology at Harvard University and an advisory archivist for A People’s Archives of Police Violence in Cleveland. His lines of inquiry converge on issues of justice, state violence, accountability, and memory work. Prior to Harvard, Jarrett spent four years as the Digital Archivist at Princeton University. While there, he volunteered as an instructor in the New Jersey Scholarship and Transformative Education in Prisons (NJ-STEP) Consortium through the Princeton Prison Teaching Initiative, teaching preparatory and introductory college composition. Jarrett is a graduate of Benjamin Banneker Achievement Center in Gary, Indiana

I hope you enjoy this episode as much as I loved doing it.