S4.7: Ferrin Evans : Queer Loss, Marginalized Experiences and Demanding a Seat at the Table

Once again, I must apologize for the long period it has been between recording this and it going live.
I fear that the entirety of Season 4 is going to have some…bumps…in it because there were many moments in the last 6 months where I did not feel comfortable posting a new episode and having any attention taken away from a) what was going on in the news (the protests, etc) or b) lessen the wonderful words of my guests. So you’ll have to just sorta deal with the fact that some of the topics on here are a little dated but it’s interesting to consider them in light of what then occurred AFTER this conversation, for better or worse.
Whatever life is, it is far from boring….

I will also apologize for myself. I got far too excited during this podcast episode and I think I spoke over Ferrin too much and I regret that because while editing it, I realized that there was so much more I wanted to know about and wanted to ask him but I was having such a good time with the kind of energy that he exudes, even over a vocal virtual communication system that I almost forgot what we were there for.
I will have him on again and I promise to be a much better listener next time. Wow am I embarrassed! But it just goes to show Ferrin’s charisma and brilliance. What an incredible human being. I hope you all can get a feel for the groundbreaking work he is doing, the passion he has for life and living and the way he conquers his (and the) world. It’s stunning. Like him.

As usual, bio and links under the podcast!

Ferrin Evans is a Master of Information candidate at the University of Toronto.  He currently has two media archiving contracts at the university: at the Media Commons Archive and at the Sexual Representation Collection.  In the past, he has worked with the Gay Archives of Quebec, Inside Out Toronto, Toronto Queer Film Festival, Cinema Politica, and the MIX New York Queer Experimental Film Festival, where he served on the Board of Directors.  He is currently completing an oral history-centered thesis about risk, desire, and loss on Fire Island during COVID-19.

LINKS:

Article related to my most current media archival work at University of Toronto:http://sds.utoronto.ca/news/new-acquisitions-at-the-sexual-representation-collection/
SAA Community Reflection on Black Lives and Archives (June 2020):https://www.pathlms.com/saa/events/1996/video_presentations/162192
“Treat Them with the Reverence of Archivists”: Records Work, Grief Work, and Relationship Work in the Archiveshttps://archivaria.ca/index.php/archivaria/article/view/13699

S4.2: Sydney Perkins: Of Kaiju, “Right People” and How Little COVID-19 Has Changed Life as an Archivist

******** UPDATE TO BLOG *********
Since this was recorded, my guest made some wonderful positive discoveries about herself and moved forward on them. Unfortunately, that made some of the information in this recording no longer valid and rather painful.
A statement from my guest:

“I do not go by the name used in this episode or later ones anymore, and even at the time I was privately aware of the distress that name was causing me. It is completely unacceptable to ever refer to me by that name or record it in any context anymore. Also my pronouns are she/they now.”

I have thusly changed all blog information (including photo) to match her truth, and you will only find the aforementioned references within the recordings. We both felt (as archivists) that it would be a shame to completely delete the podcast but it is my responsibility to support and platform my guests and not do them harm.

I believe that changing information based on these critical life issues need to be attended to, now and always. I hope others do the same.

*******************

I’m thrilled to pieces to welcome my beloved friend and colleague Sydney Perkins to Archivist’s Alley. More importantly, she is my first REAL GUEST from my new home base here in Paju, South Korea!
I hope you enjoy our conversation as much as I liked having it.
She is a really special person to me in all kinds of ways and beyond talented. She is funny, charming and delightful. I wish you could all meet her in person. When I say on the podcast that I respect her and wish that I was as talented as she is, I am not even lying. She’s impressive. We should all be so lucky to be as engaged, passionate and gifted in our chosen line of work as my darling pal Sydney is.
As usual, profile and bio below, plus a few frames of the super cool font presentation we talk about on the ‘cast!!!

QUICK NOTE:
As I’ve been here and as things have been getting weirder and more worrisome all over the world, I decided that, as an archivist, archival activist and advocate for change (especially in terms of platforming invisible voices via my podcast) I wanted to cover how COVID-19 is hitting (or not hitting) the people in our community. So if you are reading this and you are a media specialist, historian, information professional of any kind and identify as POC, LGBTQI, differently abled, woman-identifying, or any other marginalized group that my privileged white ass may have not covered (and for which I deeply apologize), please hit me up here archivistsalley@gmail.com

Sydney Perkins is an enthusiastic film arqueervist who loves handling and researching film and thinking of creative approaches to restoration. Currently she is unemployed and probably working on a shitpost for Archivist Memes.

One of the brilliant intertitles that Sydney created
Another one of the brilliant intertitles that Sydney created
Sydney is just a rock star.