Episode 5: Elena Colón-Marrero, Digital Preservation, Forensics and Creating Your Own Field

 

Every episode of this podcast gets more exciting to me but I think having this conversation with Elena was deeply personal in a way that I never expected it to be. We’ve been Twitter pals for some time and I knew that she worked with Jarrett Drake so she already had major bonafides there. But I’m always really nervous when I go to talk to people about digital preservation because I’m still learning SO MUCH.

In my last job, they thought I knew a LOT more than I did about digital materials. I told them I didn’t at the very beginning but they didn’t seem to get it? It was a disaster. So I get really nervous about the idea of what I do/don’t know and how that comes across. Part of the reason I started Archivist’s Alley was to help myself better understand some of the things that I don’t completely “get” in the areas of preservation that I know BRAINBURSTINGLY INCREDIBLE people in.

Elena went beyond what I ever would have expected or thought. The work that she is doing and how she is going about it is revolutionary and our conversation left me jumping up and down and super excited. I hope that you get that from this.

One of the most (if not THE most) difficult things to do in preservation is to discover a void or area that has not been worked on/with and then go for it. This is what Elena Colón-Marrero is doing. When you have little to no research or previous work to assist you, it can be the hardest thing in the world and LONELY AS HELL. But it’s also super freeing because it means YOU are the one to develop the field. Period.

I can’t say that I’ve had that experience with something as complex as digital preservation but I MOST CERTAINLY have had the experience of wanting to do less traditional preservation work than your average bear. My entire career has been spent searching for those voids in our field. It’s very exciting work but GOOD GRIEF. It’s exhausting and frustrating and sometimes you feel like you’ve got 2 strikes against you at all times. It is an exceptionally tough road to travel down. But it’s so worth it.

Clearly, Elena knew what formats she was going to work with from the VERY start.

I feel extremely lucky to have been able to have this conversation about digital forensics, preservation, personal identity and the incredible work that this woman is doing.

Speaking of work, let me link you to some of her brilliance!

A short bio:

Elena Colón-Marrero is responsible for processing and reading the Museum’s digital collection with an emphasis on historic software objects. Colón-Marrero has a Master’s of Science in Information from the University of Michigan and B.A. in history from Christopher Newport University. Prior to joining the Museum, Elena was the 2015 John Foster and Janet Avery Dulles Archival Fellow for Princeton University’s Seeley G. Mudd Manuscript Library.

Some of her written work:

Also, here is a link to the 2017 Core Magazine. On page 17 (pdf pg 19) you will find a great article entitled, “Preserving Software with Digital Forensics” that Elena wrote, highlighting her work at the Computer History Musuem. Check it out here:
Finally, here is the website for the ultra fabulous Computer History Museum! Go! Visit! Check it out! Tweet about it and join their social media pages!!

http://www.computerhistory.org/

The Children ARE The Future

Hey fam.

Today I looked at pictures of people marching all across the country supporting kids. With posters, talking about gun violence, discussing (essentially) children/youth rights. The right to exist. And I saw (and have seen a lot of people so amazed that young people can be “so eloquent” and “so together” and “so activist.”

It’s awfully condescending. I hate to bring David Bowie into this but I don’t hate to bring David Bowie into this. He wrote the lyrics to “Changes,” the song quoted at the beginning of John Hughes’ 1985 film, The Breakfast Club, in 1972.  Read again what Bowie wrote:

And these children that you spit on
As they try to change their worlds
Are immune to your consultations
They’re quite aware of what they’re goin’ through,

I was a child activist. I did HIV/AIDS education throughout my teen years. Everyone thought I was SO AMAZING. I didn’t feel amazing. I felt like people I knew were dying. I felt like when I got to high school, and my friends (or myself) were going to become sexually active, death was going to be part of the equation if I didn’t do something about it before I got there. There wasn’t an option for me.

Children aren’t stupid. These marches are great, please don’t stop them, the kids are the CENTER OF THEM! But the way that everyone is treating these highly smart, HIGHLY NORMAL, teenagers is fucking infuriating. I was doing marching and activism in the 1990s and my mom was getting lauded for having such a “bright and socially aware” daughter. And I’m not saying that I’m not an awesome smartypants. I am an awesome smartypants. But there were plenty of other teens who were doing it by my side. I was part of a group of teens who went and spoke in schools to other teens about how to prevent each other from getting infected.

Through the years, I’ve ALWAYS known children and young adults like this. Getting shot should not be a catalyst for change anymore than getting raped or harassed should be the force to make large organizations stand up and say, “Oh shit-we need to do something!”

Children and young adults should ALWAYS be listened to and they very rarely are. Because they have hormones or they are emotional or they are going through the really sucky fucked up issues of growing up. But fam- listen to your kids. Listen to your friends’ kids. At all ages. And don’t be shocked or surprised or OMGWTFBBQ when they spout Real Knowledge and Truth. They see everything much clearer than “Adults” do. The passions are real with them.

Now all of you: go listen to Whitney Houston sing “Greatest Love of All” UNIRONICALLY. This is your homework for today.

Episode 4: Echo Park Film Center- Community, Culture & Creativity!

I have no qualms about saying that I am 100% in favor of the Echo Park Film Center in every which way possible.

Paolo and Lisa are two of the most amazing people I know.

It’s hard to really put into words how much I love them and the Echo Park Film Center because I would probably end up going on forever and then you would never listen to the episode and I think I want the episode (and them) to speak for themselves.

In 2018 Los Angeles, it is exceptionally difficult to create a space where community and joy in learning is the primary goal. But Paolo and Lisa have done this thing. Their staff is beyond amazing. The entirety of the Echo Park Film Center is magical.

It is a place that, in this day and age, somehow continues to exist and that gives me so much hope. Lisa and Paolo give me hope. They teach children, teenagers, old folx. Their client base is so varied it would (and should) make your head spin.

If you are not local to LA but you get here every so often….make a bee line to EPFC.

If you live here and have never been, OMFG, GO!!!

Thanks again, Lisa & Paolo, for doing this episode. You always make me feel like a million bucks when I am in your presence!

Lisa Marr and Paolo Davanzo are filmmakers, media arts educators, and community cinema activists whose work is a catalyst for creative collaboration and positive social change. Originally from Canada and Italy respectively, they currently work and live in Los Angeles, where they help run the Echo Park Film Center, a non-profit community media space that has been providing equal, affordable access to film/video education and resources since 2001. In 2008, they launched the EPFC Filmmobile, an old school bus transformed into an eco-friendly cinema and film school on wheels. As The Here & Now, Marr and Davanzo travel the world, making and sharing handmade films and music with everybody.