S4.8: Candace Ming: Immediate Access, Weird Collectors, and the Necessity of Personal Time

As usual these days, I’m behind. I keep feeling like I’m going to catch up with myself and the podcast and maybe I will but it seems like life and this horrible pandemic and Other Stuff keep coming up.

But I want to reiterate that this podcast is still important to me and I am still extremely dedicated to it, even in the middle of whatever chaos is happening.
As usual, thank you for your patience and continued listening. I believe in you, these guests, and every conversation and issue that we discuss. It’s just that whole…life thing, amirite?

THAT SAID, I want to bring you an incredible conversation with an invaluable member of our archiving and preservation community, Candace Ming. When I first met them, I was so excited! To me, just hearing the name “Candace Ming” attached was legendary- they had always felt like superstar-tier. And then I got to hang out with them at an AMIA conference and it was so cool! I just felt like a million bucks!

Recording this was an absolute blast. And I really hope that you enjoy it and get as much out of it as I did. Candace is authentically one of the best humans with some GREAT things to say.

Two quick things:
-this was recorded before the elections so some of the conversation is a *wee* bit dated. This is what happens when life (my life) gets in the way of my podcast and a brilliant conversation. Again- apologies all around.
– please note that I used the pronouns “her/she” in the introduction and beginning of the show. These are not Candace’s preferred pronouns. The correct ones are they/them and those should be used going forward.

And now…Please enjoy the amazing Candace Ming on Archivist’s Alley! As usual, bio and copious links are below the podcast!

Candace Ming is the Media Conservation and Digitization Specialist at the Smithsonian’s National Museum of African American History and Culture.  They are a graduate of NYU’s Moving Image Archiving and Preservation program. They have a wealth of experience as an archivist (Carnegie Hall Archives, Alaska Film Archives, Missouri History Museum) and as a film projectionist (Landmark Theaters in their native St. Louis). They are the former Project Manager/Archivist of the South Side Home Movie Project where they were responsible for digitizing and preserving all home movies donated to the SSHMP and also conducted community outreach. They are on the Board of Directors for the Center for Home Movies and the Association of Moving Image Archivists. they also serve as Secretary for the International Association of Audiovisual Archives Diversity, Equity & Inclusion Committee.

LINKS! CHECK ‘EM OUT!!!


https://sova.si.edu/record/NMAAHC.SC.0001?s=0&n=10&t=C&q=great+migration&i=0


https://nmaahc.si.edu/explore/initiatives/great-migration-home-movie-projecthttps://www.centerforhomemovies.org/


https://sshmp.uchicago.edu/https://sshmpportal.uchicago.edu/

Episode 3: Snowden Becker – Home Movies, Archives and Law Enforcement

It’s been a supercharged few weeks hasn’t it, friends?

Yeah.

I thought about delaying this episode a little longer because of the current climate and because of how hot everything is right now around discussions of people in positions of authority and guns and the madness. But since I don’t readily have a episode with a validly angry amazingly powerful teenager on hand, I think going with this episode is actually quite important and after careful consideration, it’s a good time for it.

Snowden Becker is probably one of my favorite women in the archiving field. The tragedy of this podcast is that you can’t see how INSANELY stylish she always is. This woman has the best shoes EVER and snappy outfits to match. She looks like she stepped right out of a George Cukor movie.

Then she begins to discuss a topic and it’s just as well-put together as the ensemble she showed up in. This is a woman who doesn’t bullshit, is constantly learning and teaching, and doesn’t waste time on subjects or interests that are not somehow connected to the idea of Being Better.

I was initially nervous when I heard that Snowden was working with the police on her examination of body worn cameras, since I firmly believe that established law enforcement in the US is structured in a way that favors Rich White Straight Men, causing People of Color to fear for their lives on a daily/hourly/minute-by-minute basis.  My conversation with Jarrett Drake on the last episode spoke to this when we chatted about his experiences with the on-campus guards.

THAT SAID, what Snowden is doing here is absolutely essential. While the subject sparks more emotions than an entire Beyonce album, the one thing to keep in mind is assessing this work needs to be done separately from having feelings about it. Both can (and should) be done, but one of the most useful aspects of this project is that, as Snowden says in this episode, she is leveraging her privilege to get something really accomplished here. AND IT IS VALUABLE.

I was incredibly lucky to have had Snowden as a professor. Her continued support has been invaluable to my career. She regularly and consistently makes it a point to lift others up, especially younger people just beginning in the field. Her work is not limited to the law enforcement examinations as you will see. In my opinion, her work is pretty limitless

Fun Snowden Becker Fact: She can knit like crazy, while asking challenging questions to a speaker at a conference who really did not see it coming. I’VE SEEN HER DO THIS. IT IS MAGICAL.

I highly recommend that you visit her website, follow her on Twitter and ask her any questions you wish to. She’s 100% one of *the* most approachable people.

Her current bio:

SNOWDEN BECKER has been a leader in the field of media archives and preservation for over fifteen years. She is a co-founder of the international Home Movie Day event and the non-profit Center for Home Movies, which was awarded the SAA Hamer Kegan Award for archival advocacy in 2017. She holds a BFA in Printmaking from the Maryland Institute, an MLIS from UCLA, and is completing a PhD in Information Studies from the University of Texas at Austin. Her dissertation, “Keeping the Pieces: Evidence management and archival practice in law enforcement” is based in part on fieldwork in the property room and major crimes unit of a Sheriff’s office central Texas. Other recent projects include the IMLS-funded “On the Record, All the Time” National Forum on preservation and data management needs for police body-worn cameras (more info at http://is.gseis.ucla.edu/bodycams/). Becker manages the MLIS program in the Department of Information Studies at UCLA, and regularly teaches workshops and graduate courses in heritage preservation, media collections administration, professional development and portfolio design.

Web: http://snowdenbecker.com
Twitter: @snowdenbecker