Lynne Kirste- Home Movies at the Academy and the Brilliant Power of Representation

Welcome to Season 2! I am so excited to begin this season with my friend and colleague Lynne Kirste of the Academy of Motion Picture Arts & Sciences. While many of you may only know the Academy for That Awards Show, this institution does way more. Lynne is only one of many other wonderful humans that I know and treasure there. But what she does is (to me) particularly special and unique which is why I was so excited when I was able to welcome her to the program and why she is the first guest on this new season!

Last season we spoke about the topic of home movies with the illustrious Snowden Becker and the fabulous Erica Lopez, these women are critical engineers of the home movie world and introduced major discussions that I invite you to revisit if you have not listened to those episodes. The home movie/amateur film genre is one of the most critical areas of our profession.

Here we go a step further into our classical film past. What Lynne Kirste does at the Academy as the Special Collections Curator is truly mindblowing. I hope you enjoy this episode as much as I enjoyed spending time with a woman who I consider to be a true mentor and, like Snowden and Erica, is one of the great talents of our moving image archive world. Below the podcast link you will find her very rich bio and some great links! Please check them out!


Lynne Kirste Bio:

Lynne Kirste is Special Collections Curator at the Academy Film Archive, where she cares for materials that include the Archive’s extensive collection of home movies. She joined the Archive staff in 1997 after earning her MFA in Film Production from UCLA. Lynne believes it is crucial for archives to collect, preserve, share and provide access to moving images by and about people who are not well represented in mainstream media. Lynne has spoken about this topic at the Los Angeles Latino International Film Festival, the Outfest Fusion Festival, the Stan Brakhage Symposium, the Cooperstown Symposium on Baseball and American Culture, the Society of
Cinema and Media Scholars conference and many other forums. Lynne is passionate about sharing material from the Academy’s collection. She has curated over twenty home movie programs and presented them with live commentary to audiences at a wide range of venues, including the Academy’s Linwood Dunn theater, the Turner Classic Film Festival, Walt Disney Imagineering, the historic Old Town Music Hall, the British Film Institute and the Archivio Nazionale del Film di Famiglia in Bologna, Italy.
Lynne’s publications include articles in Mining the Home Movie, edited by Karen Ishizuka and Patricia Zimmermann, and the Cinema Journal. She provides commentary for a home movie selection on the DVD set Treasures V: The West, produced by the National Film Preservation Foundation, and talks about LGBTQ home movies in the documentary Reel in the Closet.
Lynne is proud to be a member of the Outfest Legacy Advisory Council and of the Association of Moving Image Archivists, where she chaired the LGBT Committee for several years.

Links mentioned in the show & other recommendations to check out!!!!

Japanese American National Museum Home Movie Collection

JANM’s main website

http://www.janm.org/

Home Movie Clips from JANM’s Collections

http://www.discovernikkei.org/en/nikkeialbum/albums/270/

This link takes you a page featuring the Dave Tatsuno Collection Album (plus a list of other JANM home movie collections on the right side of the screen under the heading “More albums by HNRC.”) You can’t click yet on the large image in the player. There is a text description below that image. Below the text you will see the “Slides in this album” thumbnail photos. Click on any thumbnail photo and it will link you to the actual home movie clip that you can now play in the viewer. After you’ve loaded one clip, you can click on the numbers above the screen to see the next clips.

You can click on any of the other collection albums to view their clips.

It’s easy and totally worth it!

Latinos and Latinas in Hollywood

Hollywood Home Movies: LA/LA Special Edition (2017 Academy program)

This review discusses the program’s content and points about Latinas and Latinos in Hollywood.

http://www.thevintagecameo.com/2017/10/hollywood-home-movies-lala-special-edition/

Negro Leagues Baseball

Kansas City Monarchs vs. Indianapolis Clowns, featuring Reese “Goose” Tatum

https://www.filmpreservation.org/preserved-films/screening-room/t1-negro-leagues-baseball-1946

Complete footage and information from the National Film Preservation Foundation site.

Satchel Paige pitching for a team of Negro League ballplayers in an exhibition game against Major League players in 1948.

https://www.youtube.com/watch?v=LyjLJ96iFBM

Click “read more” on the YouTube page for an excellent description of the footage.

LGBTQ Home Movies

Trailer for Reel in the Closet, a documentary about the historic value of LGBTQ home movies with some amazing clips.

https://www.youtube.com/watch?v=z9yiA-SRjgw

Outfest Legacy Project for LGBT Film Preservation

https://www.outfest.org/about-the-legacy-project/

Mona’s Candle Light Bar – a “bohemian” bar in San Francisco, circa 1950 – preservation of home movie with sound (very rare to find an early sound home movie) that features drag king Jimmy Reynard and singer Jan Jensen.

https://archive.org/details/monasCandleLightCa1950s

People with Disabilities in Film

Interview with Marlee Matlin (2017)

http://www.latimes.com/entertainment/movies/la-et-mn-marlee-matlin-oscars-20170202-story.html

Think of Me First as a Person

This wonderful home movie/documentary by a father about his son who has Down Syndrome is on the National Film Registry.

http://www.thinkofmefirstasaperson.com/film.html

https://amateurism.wordpress.com/2010/02/14/preserving-think-of-me-first-as-a-person/

 

Episode 14: Dirty Looks On Location – Bradford Nordeen, Bret Berg and Joe Rubin

 

I have spent almost all of July so far traveling around Los Angeles cradled in the bosom of a magical series of film screenings, happenings and events called Dirty Looks On Location.

Avant garde cinema and dancing at a Latinx drag bar near my house that I have passed by for 20+ years and always meant to go to but never did…until this month- oh hai, Plaza!  I finally made it to the adult theater that used to be The Pussycat on Santa Monica blvd, became the Tomkat and is now Studs (or Pussycat/Studs, TBH). I made friends at Silver Lake leather bar, The Eagle LA, as we watched an incredible Fred Halsted retrospective.

The day this is released, I think I’m going to Queer Karaoke in the valley at what used to be Moonshadows. GIRL, I’VE BEEN BUSY. The calendar might start to open up again in August…after I get some rest from July!!

I took a chance to talk with Dirty Looks founder Bradford Nordeen and two of the curators, Bret Berg and Joe Rubin. We had a great time (even if it was terribly hot in my living room). If you listen closely, my cat Wallach came in a few times expressing his severe disappointment that he couldn’t go to the Pussycat.

Links, pix & bios for these mindblowing guests below the podcast link as usual!

 

Bradford Nordeen is a curator and writer based in Los Angeles. The founder of Dirty Looks, Nordeen served as the Platinum Programmer for Outfest Los Angeles from 2013 – 2017 and guest curator for The Broad Museum’s inaugural public programs (2015 – 2017). He has organized exhibitions for Participant Inc, ONE National Gay and Lesbian Archives, Rhode Island School of Design, Atelie397 (São Paulo), House of Vans, and the ICA Los Angeles, in addition to curating series and screenings for The Museum of Modern Art, The Kitchen, SFMOMA, The Hammer Museum, ICA Boston, the Film Society at Lincoln Center, Kurimanzutto, Judson Memorial Church and New York Live Arts. His publications include Check Your Vernacular (2014), Dirty Looks at MoMA (2013), Fever Pitch (2008), as well as editing the annual Dirty Looks Volume series.

As theatrical sales director for the Austin, TX-based American Genre Film Archive, Bret Berg works with movie theaters across the globe to bring forgotten / restored genre and arthouse classics back onto the big screen. And, as education director of The Voyager Institute, Bret collaborates with a wide variety of artists / thinkers on Voyager’s monthly free-admission lecture series about movies and music. Previous curatorial residencies include KXLU 88.9fm Los Angeles, Alamo Drafthouse, Cinefile Video and The Cinefamily.

If you are in the LA area, I highly recommend making a trip to check out Bret’s Voyager Institute work. For more on that, go here: https://www.facebook.com/voyagerla/

Joe Rubin is a film archivist, historian, and co-founder of the film distribution company, Vinegar Syndrome. His work has primarily focused on the restoration and preservation of US produced exploitation and hardcore feature films made between the 1960s and 1980s. He most recently contributed a chapter on preservation methods in ‘pornographic’ films to the collection Porno Chic & the Sex Wars, published by University of Massachusetts Press.

As many of you may be aware, Vinegar Syndrome is one of the best boutique DVD/Blu labels around and Joe is amazingly talented. Check their stuff out too.

Episode 13: Outfest Legacy Project Managers of Past & Present- Brendan Lucas, Taylor Morales & Alice Royer

Pride Month has been AMAZING.

To say that my guests have blown my mind would be an understatement.

If you haven’t gotten a chance to check out the episodes with Anne Kelly, Magnus Berg,  or T.J. Tallie, I highly recommend that you do so. I am terribly proud of the fact that I was able to document these incredible people who are making such a difference in our landscape and are such immense figures as far as the idea of Pride is concerned. I am personally proud to know them and call them friends and colleagues but I am inspired by their continued power and brilliance in a world and professional landscape that does not always welcome queerness.

Which leads me to this week and the Outfest Legacy Project. As a 2-time UCLA grad school alumna, one of the things that I love about that school is the preservation work they do on LGBTQ+ materials with Outfest. While I was in archiving school there, I really wanted to intern with them but that never happened. So next best thing: I go to the festival every year, I have volunteered with them and for the grand finale of Pride Month on Archivist’s Alley, I am welcoming three amazing colleagues on to speak about the Legacy Project, Outfest, their work and the film festival coming up in July.

I know I say this about every episode, but really- it’s a GREAT EPISODE. Check it out! Brendan, Taylor & Alice RULE!!!! Bios and pix below the episode link, as usual.

Bios:

Taylor Morales is the Production Art Librarian at the Academy of Motion Picture Arts and Science’s Margaret Herrick Library where she manages and catalogs the Academy’s unique collection of production design drawings, costume design drawings, storyboards, and other artwork related to the motion picture industry. Taylor previously managed the Outfest UCLA Legacy Project for LGBT Film Preservation where she contributed to the restoration of her favorite film Desert Hearts (1985) in addition to preserving and screening many other archival queer films. She is now a proud member of the Legacy Project Advisory Council.

Here is a link to buy the Desert Hearts DVD and Bluray via Criterion:

https://www.criterion.com/films/29139-desert-hearts

Brendan Lucas attended UC Santa Barbara and the Moving Image Archive Studies Program at UCLA. He is currently the Legacy Project Manager for the Outfest UCLA Legacy Project, a joint effort between Outfest and the UCLA Film and Television Archive, where he supports the collection, documentation, preservation and exhibition of LGBTQ moving images. For the past 5 years, Brendan has worked at Deluxe Audio Services (formerly Chace Audio) where he has coordinated and written about audio restoration projects for film and television.
Born and raised in Northern California, he currently lives in Los Angeles, where he is always either interested in–or going to–events in and around his adoptive hometown.
Outfest LGBT Film Festival (July 12-22, 2018)
Outfest UCLA Legacy Project
Legacy Screening Series at the Billy Wilder Theater in Westwood (year-round)
Alice Royer is a film and media scholar, archivist, and programmer living in Los Angeles. She has very nearly completed her PhD in Cinema & Media Studies at UCLA, where she also earned an MA in Moving Image Archive Studies. Previously, Alice oversaw the Outfest UCLA Legacy Project as Legacy Project Manager from 2014-2016, during which time she was selected to serve on the Teddy Award Jury at the 2016 Berlin International Film Festival. She has been a longtime Assistant Programmer for Outfest, and has screened films for AFI FEST, and the Los Angeles Film Festival. And also she has a dog named Walter, whom she probably anthropomorphizes too much.
The following is a short featurette on the preservation of the 1919 silent film that she mentions having worked on during her tenure as Project Manager, Different From The Others (1919).

Episode 11: Magnus Berg- Transgender Identity in Cataloging, Power in Pronouns, and Ableism in Hiring Practices

So June is Pride Month. I decided that instead of twice a month, I would do a podcast EVERY WEEK, platforming a queer archive, preservationist or issue. So here we are again! I am really excited. So many critical issues & people to feature.

Last week you met my wonderful colleague and friend Anne Marie Kelly.  This week you will meet the amazing Magnus Berg.

Before ANYTHING I want to promote an event that Magnus is doing in San Francisco THIS THURSDAY the 14th at the place they are interning at, The GLBT Historical Society Archives and Museums. It sounds like the greatest event & if I were local I would sooooo be there! Go to this!!!!

https://www.eventbrite.com/e/playback-do-it-yourself-audiovisual-archiving-tickets-45600216475

 

When I first met Magnus at AMIA, I was instantly drawn to their amazing charm and appeal. As you will hear, they are intensely smart and HFS amazing. I wish that instead of this podcast, you could all be in a room with them. Being around Magnus is so much fun. Magnus is just…I can’t put words to it because they made me smile. And again, another wonderful Canadian gift!!

As I state in this episode, we are much stronger with trans archivists, archivists of color, differently abled archivists and marginalized archivists than we are without them. Much stronger. That *is* community, y’all. As Magnus and I work through issues of archival cataloging practices, hiring practices, film festival circuits and my desire to convince Martin Scorsese to donate all of his future funding to transgender film preservation, I think you will agree.

I hope you enjoy this episode.

BIO:

Magnus Berg is a MA candidate in the Film + Photography Preservation and Collections Management program at Ryerson University in Toronto, Canada. They have worked with audiovisual collections at Visual Studies Workshop, The Canadian Lesbian and Gay Archives, Ryerson University, and most recently The GLBT Historical Society Archives. Magnus is the current Co-Chair of the LGBT Committee for the Association of Moving Image Archivists and has presented on audiovisual preservation at Sexuality and Gender Studies and Archival Science conferences in Canada and the United States.