Episode 8: Rachel E. Beattie – Canada, Community and Cinema!

My friend Rachel is the best.

From our first connection working together on the AMIA Diversity Committee (SO MANY CONFERENCE CALLS WHERE I HAD NO IDEA WHAT SHE LOOKED LIKE….JUST “CANADIAN”) to a constant teammate at the AMIA Trivia Night, Rachel has been and continues to be a treasure.

I look forward to pictures of her Oscar parties every year because the food names are always good (she and her friends name them after the year’s movies…including the shorts!).

She has a sitting apparatus in her home named Judy Bench. You just can’t get much cooler than that.

And yet…..You totally can.


Rachel is absolutely critical to this community of memory work, media appreciation and preservation. She and I are both GIANT fans of three things: social justice, archiving and film festivals/film exhibition. These make her both an amazing woman, a great archivist and a wonderful friend.

Within this episode, you will hear us chat about David Cronenberg, TIFF, AFI fest, Nollywood, White Privilege and the OMFG!!!!!!!!! work that she does with her colleagues at University of Toronto’s Media Commons Media Archives. And so. much. more. Please enjoy the episode and all the links and media that Rachel has so graciously provided!!!

Rachel’s Bio:

Rachel E. Beattie is an assistant media archivist at University of Toronto’s Media Commons Media Archives. She is a white settler working on the traditional territories of the Mississauga of the New Credit First Nation, Anishnawbe, Haudenosaunee, Wendat, and Huron Indigenous Peoples and works to acknowledge all the privilege that entails. She is also the chair of the Sound and Moving Image Special Interest Section of the Association of Canadian Archivists and the chair of the Community Engagement Committee at the Canadian Lesbian and Gay Archives. She is equally passionate about film, archives, and social justice.

Media Commons – https://mediacommons.library.utoronto.ca

Toronto International Film Festival (TIFF)- http://tiff.net

Film Reference Library (TIFF’s Library and Archives) – https://www.tiff.net/library/

Toronto’s year round documentary showcase and annual documentary film festival – Hot Docs – http://hotdocs.ca/

Barbara O’Leary’s Directed by Women project:  http://directedbywomen.com/

the Patreon to support Directed by Women:  https://www.patreon.com/barbaraannoleary

The trailer for Sweet Country, which TOTALLY rules & you all should check it out!!!

The trailer for the fabulous woman-directed film that Rai & I are obsessed with from Myanmar…

This movie is one that IS UNREAL. I must see this again & highly recommend. Rachel & I haven’t stopped talking about I AM NOT A WITCH since she saw it at TIFF & I saw it at AFI.

Episode 7: Millie De Chirico- Comin’ Up With That Weird Stuff! Exhibition as access, women in programming spaces, & the joy of TCMFF

This week is TCMFF, which in laymen’s terms means Turner Classic Movie Film Fest.

IT’S THE HAPPIEST TIME OF THE YEAR. LIKE FOR REELZ.

Well, at least it’s my happiest time. It’s what I affectionately call “Classic Film Summer Camp.” Even if it doesn’t happen during the summer time.

So in order to celebrate this wonderful and exciting event, I got one of the women that I love and admire in a massive way to be on this week’s episode.

Her name is Millie De Chirico and she continues to be one of the most amazing and dynamic forces at TCM.

This is her bio:

Millie De Chirico is 14-year member of the programming department at Turner Classic Movies. She co-created TCM Underground, the channel’s late night cult movie franchise and now lends her programming expertise to FilmStruck, the new streaming service created by TCM and the Criterion Collection. In her spare time she co-hosts a podcast with comedian April Richardson called Sordid Details (sordidpodcast.com).

TCM Underground, if you are not aware, is a masterpiece and an accomplishment unto itself, let alone the gazillions of other things that Millie does daily.

One of the big myths in the film world is that “the ladies” can’t stomach grindhouse films or that we just don’t like that sexploitation/exploitation morally messy media. It goes without saying that there is a certain unspoken idea that most fans of the genre would not be queer or POC either. But we exist. Millie’s dedication to TCM Underground and her passion for this landscape is important on many levels. If you listen to our conversation we discuss this.  This has led to her programming the midnight movies at the TCMFF which is nothing but brilliant.

I CANNOT WAIT FOR THIS YEAR’S FESTIVAL!

We talk about a lot of things in this episode. One of the things that we get super Real Deal about is the state of film exhibition and the theater scene. The last few years has seen some upheaval but it’s gotten a little quiet.  Like everyone thinks what happened at Cinefamily, Fantastic Fest, etc, was a one-off and that we can all go forward as things were, la la la la.
But we (being marginalized folx) weren’t happy before the Dude-programmer-pocalpyse and we certainly aren’t pleased now. And the situation is pretty easy to fix. Really. It is. We talk about that here too.

I’m not gonna lie: this is a GREAT EPISODE. But it was great because Millie is a damn ROCKSTAR. 

So here’s the million dollar answer, of course. You want to know what Millie’s top pics for TCMFF are and (maybe) mine. So, look below! They do not disappoint. And if you’re going to TCMFF, hope to see you there. Say hello!

Millie De Chirico’s 2018 TCMFF Recommendations

WORLD’S GREATEST SINNER (1962, d. Timothy Carey, 82m, Digital) (duh!)
A STAR IS BORN (1937, d. William A. Wellman, 35mm) on nitrate
FINISHING SCHOOL (1934, d. George Nichols, Jr. and Wanda Tuchock, 35 mm)**Preserved by the Library of Congress.
OUTRAGE (1950, d. Ida Lupino, 35mm) Ida!
WILL SUCCESS SPOIL ROCK HUNTER (1957, d. Frank Tashlin, Digital) Jayne!

My list is a little different. These are some of the films that I will probably end up going to. But these are also ones that I am VERY EXCITED ABOUT!!

In no particular order….

FINISHING SCHOOL (1934, d. George Nichols, Jr. and Wanda Tuchock, 35 mm) **Preserved by the Library of Congress.
WORLD’S GREATEST SINNER (1962, d. Timothy Carey, 82m, Digital)
STAGE DOOR (1937, d. Gregory La Cava, 35mm) nitrate & has a Bill Morrison short called The Letter playing before it!!!! YES!!
HATFUL OF RAIN (1957, d. Fred Zinnemann, Digital)
A LETTER TO THREE WIVES (1949, d. Joseph L. Mankiewicz, Digital)
WHEN YOU READ THIS LETTER (1953, d. Jean-Pierre Melville, Digital)
Panel Discussion- Through a Lens of Color: Black Representation in Film featuring: Gil Robertson IV, of the African American Film Critics Association, Professor Jacqueline Stewart, filmmaker Mario Van Peebles and moderated by Donald Bogle.
GIRLS ABOUT TOWN (1931, d. George Cukor, 35mm)
Hollywood Home Movies: Treasures from the Academy Archive
The Academy Film Archive shares gems from its collection with specially-selected home movies from Hollywood’s Golden Age, Presented by Randy Haberkamp, Managing Director of Preservation and Foundation Programs for AMPAS, and Lynne Kirste, Special Collections Curator at the Archive.
WOMAN OF THE YEAR (1942, d. George Stevens, Digital)